The critics agree: get outta here, Grand Budapest Hotel! Foreign films have no place in America!
The Ooh Tray’s Ed Whitfield calls it “a bravura chunk of pastiche.” We don’t even know what that means, but it sounds awful.
David Denby of The New Yorker writes: “The opéra-bouffe plot serves as a strand of bright golden wire on which” blah blah blah blah blah. More like an opéra-BARF plot, David!
Daily Express’ Henry Fitzherbert says: “If you like Wes Anderson movies you’ll love The Grand Budapest Hotel.” Who the hell is Wes Anderson?
Matthew Turner at ViewLondon thinks the film is “vaguely Cossacky.” Ouch.
CraveOnline’s William Bibbiani tells the director to “get lost.”